Florence + The Machine - King [ad5c58]

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This interaction is a cornerstone of why individuals like Dr. Oz advocate for these gummies as part of one's bedtime routine. ### Across Lifespan: Universal Appeal in Wellness CBD gummies are not confined to any specific age effects of 10mg cbd demographic; their benefits span across the lifespan from adolescents navigating stressful school years, adults dealing with everyday pressures, to seniors seeking improved sleep quality and pain management. The versatility and safety profile make CBD a favorable option for diverse age groups looking for natural wellness c b d side effects solutions. ### Beyond Relaxation: A Holistic Approach to Well-being Incorporating CBD gummies into one’s lifestyle can complement other well-established relaxation practices like yoga or meditation, creating synergies that amplify their effects. For instance, the calming properties of aromatherapy coupled with the soothing presence of cannabidiol may offer a multi-faceted approach towards achieving serene sleep and reduced anxiety. ### Demystifying CBD: Dispelling Myths for Informed Choices Despite growing popularity, misconceptions about CBD persist, particularly concerning its legality and safety. It’s essential to understand that high-quality CBD products like Shark Tank's Gummies are regulated in many regions ensuring they contain no THC levels above legal limits. Moreover, while concerns about addiction linger due to confusion with cannabis-related compounds, scientific evidence supports CBD as non-addictive when used responsibly. --- This structured exploration of thc gummies side effects Dr. Oz’s endorsement of the Shark Tank CBD gummies for sleep elucidates not only their potential benefits but also emphasizes a well-rounded approach toward enhancing mental and physical health naturally. With each point reinforcing another, it's clear that these gummies present an innovative addition to contemporary wellness practices aiming at achieving pain-free slumber effortlessly.We have created the Florence + The Machine official anthology ✨ Listen to ‘Under Heaven Over Hell’ now: Dance Fever – the new album – out now Directed by Autumn de Wilde Director of Photography // Jamie Feliu-Torres Choreographed by Ryan Heffington Costume Design by Kate Mulleavy & Laura Mulleavy of Rodarte Additional Costume & Wardrobe Stylists // Peter Aluuan and Fiona Hicks Hair Stylist // Odile Gilbert Makeup Artist to Florence Welch // Sarah Reygate Editorial Company // Final Cut Editor // Miky Wolf Assistant Editor // Matt Gabzdyl Editorial Producer // Maggie Mcdermont Visual Effects // Denis Reva Colour Co // Company 3 Colorists // Jean-clement Soret and Yoomin Lee Finishing VFX Co // Framestore Sound Finishing // Machine Sound Sound Design & Mix // Nigel Manington Sound Producer // Ghazal Zargar Elahi Title Design // Thunderwing, Nic Taylor & J. B. Taylor Artist Management // Hannah Giannoulis Production Co // Anonymous Content Produced by Eric Stern & Juliet Naylor Assistant to Odile Gilbert // Taan Pham Assistant Choreographer // Ryan Spencer Workshop Choreographer // Benjamin Milan Production Manager // Ana Castellar BTS // Gilbert Trejo Artist PA // Catherine Torrie CAST Florence Welch Jack Riddiford The Henchman // Alexander Antofiy LACE MONSTERS Sia Gbamoi Chihiro Kawasaki Aisling Longshaw Naomi Weijand Kibrea Carmichael Zakiya Wellington Anastasiia Kharchenko Maryne Kuchskova GHOST ORCHESTRA Maksimilian Mihkaylovskiy // Violin Lyubomyr Klyufinskiy // Viola Ivan Massalyga // Cello Hilarion-Modeste Thea // Flute Vladislav Bilyachenko // Alto Saxophone Aleksander Pryzhenkov // Tuba Iliya Shevchuk // Trumpet Vadim Shevchuk // Trombone Stunt Coordinator // Slava Barabolia Stunt Doubles // Katrina Lilwall and Alex Pavlyk UKRAINE UNIT Production Co // Radioaktive Film Executive Producer // Kate Galytska Producer // Serafima Kutsenko Production Manager // Yura Galitskiy 1st AD // Alina Yatsyk 2nd AD // Masha Verboliuk Production Designer // Vladimir Radlinskiy Art Director // Max Halushka Wardrobe Stylist // Valentyn Bren Makeup Artist // Dasha Taivas Hair Stylist // Iris Onufrienko Casting on set // Masha Bondar 2nd Cameraman // Ilya Maksymenko Focus Puller Cam A // Peter Chetverykov Focus Puller Cam B // Sergei Kolesnik Slate // Lena Sinelnik Gaffer // Leo Sidorenko Key Grip // Artem Pilipchuk Steadicam // Max Salo Sound // Misha Nikolaev Playback // Sergei Rupos VFX Supervisor // Denis Reva Location Manager // Zhenya Kasamara Production Assistant // Alex Belko Production Assistant // Yulia Nagirniak Unit Manager // Egor Pogrebniak Doctor On Set // Yana Shchebetiuk Assistant to Autumn de Wilde // Anna Kovalevskaya Chaperone // Liza Onysko Chaperone // Daria Sipigina Camera & Light // Illuminator Film Service Crane Crew // Film Technic Worldwide Subscribe to Youtube: Join Florence online: Instagram: Twitter: Tik Tok: Facebook: Mailing list & more: Official Store: “King” lyrics We argue in the kitchen about whether to have children About the world ending and the scale of my ambition And how much is art really worth The very thing you’re best at Is the thing that hurts the most But you need your rotten heart Your dazzling pain like diamond rings You need to go to war to find material to sing I am no mother, I am no bride, I am King I need my golden crown of sorrow My bloody sword to swing My empty halls to echo with grand self-mythology I am no mother, I am no bride, I am King I am no mother, I am no bride, I am King But a woman is a changeling Always shifting shape Just when you think you have it figured out Something new begins to take What strange claws are these Scratching at my skin I never knew my killer would be coming from within I am no mother, I am no bride, I am King I am no mother, I am no bride, I am King I need my golden crown of sorrow My bloody sword to swing I need my empty halls to echo with grand self-mythology Cos I am no mother, I am no bride, I am King I am no mother, I am no bride, I am King I am no mother, I am no bride, I am King I am no mother, I am no bride, I am King And I was never as good as I always thought I was But I knew how to dress it up I was never satisfied, it never let me go Just dragged me by my hair and back on with the show